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Between Land, Conflict and Solidarity

A Conversation with Oto Hudec and Yana Kononova, moderated by Lýdia Pribišová

ᔕThe event is part of the exhibition Liminal Ecologies: Thresholds of Transition and Entanglement
- May 6, 6 pm, tranzitsk, Beskydská 12, Bratislava -

ᔕThe event will be held in English.


Oto Hudec and Yana Kononova are visual artists whose work deeply resonates with the environmental, social, and political concerns of our time. Their artistic practices converge in a shared effort to connect art with an engaged, conscious approach to the world. Both artists address topics of global injustice, ecological imbalance, and symbolically highlight new forms of solidarity, interconnectedness of ecosystems and countries.

In this discussion, we will talk about how nature copes with the consequences of war, mining, or climate disasters, and how ecological renewal can take place. We will also explore how these processes raise new questions about permanence, temporality, and our understanding of the land as a static entity. We will reflect on the memory of the land and its violently interrupted cycles.

A fundamental link between the works of Yana Kononova and Oto Hudec is their focus on ecological memory – how the land inscribes itself into our history and how we inscribe our present into the land. Hudec’s work introduces the concept of renewal through poetic moments, while Kononova confronts the transformation of natural landscapes.

Despite Hudec’s inclination toward metaphorical, poetic expression and Kononova’s use of an analytical visual language, both share a sincere effort to respond to crises that transcend national boundaries, genres, and media. Their works offer a new way to think about the world: not as a collection of isolated problems, but as a complex, interconnected ecosystem of experiences that demand empathy, attention, and creative responses.

Oto Hudec is a Slovak artist creating videos, murals, animations, and sculptures exploring immigration, climate change, and globalization. His projects incorporate utopian perspectives, drawing inspiration from ecological practices. Since 2013, he has collaborated with Roma children through Project Karavan. He was a finalist for the 2012 Oskár Čepan Award, and in 2024 he represented Slovakia at the 2024 Venice Biennale. He teaches at TUKE Faculty of Arts.

Yana Kononova holds a PhD in sociology and an academic background in social sciences. Her practice involves ecocritical inquiries, treating landscapes as protagonists and engaging with their sensibilities. She focuses on sites shaped by human intervention and overlooked or invisible topographies, delving into notions of weird ecologies and geographies.

⊹ Curator Lýdia Pribišová has been working as an editor of the magazine Flash Art Czech & Slovak Edition since 2006 and has been its editor-in-chief since 2015. She also works as a curator at the Ján Koniarek Gallery in Trnava. From 2020 to 2024 she was president of the Slovak section of AICA, since 2020 she has been working as a curator at Kunsthalle Bratislava. From 2013 to 2015 she was a project coordinator at tranzit.sk, where she also realized several curatorial projects. As a curator, she is interested in the boundaries of art, participatory projects and ecological issues; from 2022-2023 she curated the program A Plant at Kunsthalle Bratislava, which included a program in Bratislava's public space that addressed the issue of green spaces in the city. In 2024, she curated the Slovak participation in the Venice Biennale - the Floating Arboretum project by Oto Hudec and a larger team.

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ERSTE Foundation is main partner of tranzit.

Kindly supported by Leeds Arts University and CREAM (Centre for Research and Education in Arts and Media), University of Westminster

Media partners: Artalk.info, Flash Art CZ & SK, Kapitál, GoOut.net



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Liminal Ecologies: Thresholds of Transition and Entanglement